Resume

Education                                                                                           

MFA; BFA University of Georgia, Athens GA

AA Sullins College, Bristol, VA

 

Professional Experience

Present               Self-employed Artist, Atlanta, GA

2007 - 2010       Instructor, Art Institute of Atlanta

2001 - 2006       Assistant Dean, Visual Communication, American InterContinental University, Atlanta, GA

1986 – 2001       Associate Professor, American InterContinental University, Atlanta, GA

2002                  Artist-in-Residence, Colquitt County Arts Center, Moultrie, GA

2001 - 2000       Associate Professor, Kennesaw State University, Kennesaw, GA

1999                  Instructor, Kennesaw State University, Kennesaw, GA

1994                 Instructor, Drawing/Painting, University of Georgia Study Abroad Program, Cortona, Italy

1991 - 1989       Instructor, Penland School of Art, Penland, NC

1989 -88           Summer Semester Instructor, Drawing and Painting, University of Georgia Study Abroad Program

1983 – 1975    Chair of Drawing and Painting, Alabama School of Fine Arts, Birmingham, Alabama

1975 – 1973    Instructor, Drawing, Painting and Art History, University of Montevallo, Montevallo, Alabama

 

Gallery Director and Gallery Coordinator Experience

1999-2006   Gallery Director:  American InterContinental University, Buckhead Campus

In charge of working with all departments coordinating exhibitions that relate and were pertinent to  each Program.  Also brought in guest lecturers that usually were part of  the exhibition.  Also  invited  guest curators to curate certain special topics. Was  responsible for all programs of annual student exhibitions in each program and graduating senior exhibitions.  All invitations and announcements were created by AIU students. I was responsible  for creating mailing lists. Press releases were my responsibility. I also made sure that the exhibitions were reviewed by AJC, Creative Loafing, and Northside Neighbor. Signage was my responsibility, also the reception announcements were created by AIU students.

1973 – 1983  I was in charge of the Gallery at the Alabama School of Fine Arts in Birmingham, AL.  Those duties included senior exhibitions for each graduating Fine Arts Student.  These would begin as early as March as there were so many students. Each student had a week and had to design their own invitation.  Each had a reception.  Other duties were to find affordable travelling exhibitions that supported the many programs of this school.

 

Selected Solo Exhibitions

(Have had over 50 solo exhibitions)

Swan Coach House Gallery, Atlanta, GA

Retrospective: Colquitt County Arts Center, Moultrie, GA

University of Georgia, Tate Gallery, Athens, GA

Sandler Hudson Gallery, Atlanta, GA

Gallery 39 Buford, GA

Atlanta Downtown Partnership Gallery, Atlanta, GA

Chattahoochee Valley Art Center, LaGrange, GA

Galerie de Hazelaar, Soest, the Netherlands

Galerie Hesstege, Hertogenbosch, The Netherlends

Eve Mannes Gallery, Atlanta, GA

Carriage Gallery, Georgia Council for the Arts, Atlanta, GA

Tilden/Foley Gallery, New Orleans, LA

Fay Gold Gallery, Atlanta, GA

Roanoke College, Salem, VA

Tilden/Foley Gallery, New Orleans, LA

University of Georgia, Athens, GA

Tilden/Foley Gallery, New Orleans, LA

Fay Gold Gallery, Atlanta, GA

S.E.C.C.A. southeastern center fro contemporary Art, Winston-Salem, NC

University of Montevallo

Little House on Linen Art Center, Birmingham, AL

University of  North Carolina, Charlotte, NC

University of Florida, Gainesville, FL

Birmingham Museum of Art, Birmingham, AL

Wesleyan, College, Macon, G

Contemporary Arts Center, New Orleans, LA

Kraskin Gallery, Atlanta, GA

Atlanta College of Art, Atlanta, GA

Frankenbury-Gutherie Gallery, Athens, GA

American Academy of Art and Letters, New York, NY

Birmingham Southern College Gallery, Birmingham, AL

Montgomery Museum of Fine Arts, Montgomery, AL

Florida Technological Institute, Orlando, FL

Sullins College, Bristol, VA

 

Selected Group Exhibitions

2010          Baker’s Dozen, Curator, Ife Williams, Fulton County Public Art Program, Abernathy Arts Center Gallery, Sandy Springs, GA

2008-2010  Art Institute of Atlanta Faculty Show Dunwoody and Decatur

2007           Auburn Art League, National Print Exhibition, Auburn, AL

                  Good on Paper 2007 Curator, Julia Fenton, Spruill Gallery, Atlanta, GA

2005           Looks Good On Paper 3, Ben Afelbaum, Spruill Gallery, Atlanta, GA

                  Small Drawings, Marianne Lambert, Swan Coach House, Atlanta, GA

                  Faculty Exhibition, American InterContinental University, Atlanta, GA

                  Invitational, Surhujard Museum, United Arab Emirates

2004          Encoded, Fe Gallery, Curator Jill Larson, Pittsburgh, PA

2003          Small Sketches II: A Holiday Show, Swan Coach House Gallery,

                 (Curator Marianne Lambert), Atlanta, GA

2003          Looks Good On Paper 2, Spruill Arts Center, Atlanta, GA

2002          Like Lions Raging, Spruill Arts Center, A commemorative exhibition,

                 (Curator Ben Apfelbaum), Atlanta, GA

                 Permanent Collection Exhibition, MOCA GA

                 The Museum of Contemporary Art of Georgia, Atlanta, GA

2002          Georgia Printmakers, Swan Coach House Gallery, Atlanta, GA,

                 (Curator Marianne Lambert)

                 Collage Invitational, American InterContinental University Gallery, Atlanta  

                 Southern Book Artists, Robert C. Williams American Museum of Papermaking, Atlanta, GA

2001          Looks Good on Paper, (Curator Ben Apfelbaum), Spruill Arts Center, Atlanta, GA

                 Index, (Curator Angela Willcocks), City Gallery East,  Atlanta, GA

                 28th Bradley Print and Drawing Exhibition, Bradley University, Peora, IL

                 (Curator Mark Pascale,  Ass. Curator of Prints and Drawings), The Art Institute of Chicago

2000          Fay Gold Gallery, Atlanta, GA

                 Paper in the Millennium, Robert C. Williams American Museum of Papermaking, Georgia     

                 Tech, Atlanta, GA

                 Spotlight 2000, American Craft Council, Southeast Region, Kennesaw State University, Kennesaw, GA

                 Americas 2000, Paper Works, Minot State University, Minot, DK

                 Boundless Expressions:  Renewal of Spirit, H. Lees Mofitt Cancer Center and Research Institute, 

                 University of South Florida, Tampa, FL

2001, 1999, 1997 Kennesaw State University, Kennesaw, GA

1999          Chicago Library, Chicago, IL

                 Triennial Southeastern, Mobile Museum of Art, Mobile, Al

                 Fay Gold Gallery

1998          Lenox Walk Gallery, Marianne Lambert, Curator, Atlanta, GA

1997          Common Threads, Spruill Center Art Gallery, Atlanta, GA

1996          Georgia Artists Network, Morris Brown College, Atlanta, GA

                 XIX LaGrange National Biennal, Lamar Dodd Art Center, LaGrange, GA

 

Travel

Mexico, Belize, Guatemala, Puerta Rico, Japan, Taiwan, Philippine Islands, Hong Kong, Cambodia, Thailand, Malaysia, India, Bahrain, Egypt, Morocco, Greece, Turkey, Italy, Switzerland, France, Belgian, Holland, England, Spain, Portugal

 

Selected Collaborative and Installation Exhibitions

Anderson’s collaborative work at City Hall East in Atlanta, GA, titled Index in1999 was with 10 national artists across the US addressing how artists work and use index processing to create their work and also a follow up exhibition in Pittsburg,PA at Gallery 8 addressing the same theme in 2000. This is only a few of her installation pieces. In 1981, Anderson had a one artist exhibition at the Birmingham Museum of Art, Birmingham, AL, titled Leaves and Passage: Books as Painted Ideas.  This was an exhibition based on the concept of passage through her handmade paper books based on the themes of time, memory and desire; the passage of time and notation for the future: a very esoteric and sensuous exploration of walking through, touching and folding the pages of these one of a kind handmade books along with hanging handmade paper ladders. These handmade paper ladders led her to create a larger series of handmade paper ladders that were installed in various labyrinthine installations at the University of Alabama in Birmingham Gallery, Birmingham, AL, and at the University of North Carolina, Charlotte, NC.

 

Awards and Commissions

2006-2009       Who’s Who Registry of Executives and Professionals

                       Selected to be in the archives of the National Museum of Women in the Arts,  Washington, D.C.

2003                Individual Artist Grant, Georgia Council for the Arts

                       Commission, Media Award, Alabama State Council  of the Arts and Humanities

2000 - 1999     Walt Disney, ESPN Zone, Atlanta (Ceramic Wall Installation)

                       Pastel Society of America Award

                       Award of Merit, South Cobb Arts Alliance National Exhibition, Mableton, GA

1997                Award, Georgia Commission on Women Artists

1989-88           Artist Initiated Grant, Georgia Council for the Arts

1977                American Academy of Arts and Letters Membership, Alexander Calder and

                       Childe Hassam Award, New York, NY

Also included in exhibitions at the Corcoran Gallery in Washington, DC, 1981, the American Academy in New York, 1978, and the New Orleans Museum,1991.

 

Selected Collections  

MOCA, Museum of Contemporary Art of GA, Atlanta, GA

Colquitt County Arts Center, Moultri, GA

Walt Disney Commission, ESPN Zone, Atlanta, GA

Kennesaw State University, Kennesaw, GA

Springfield Museum of Art, Springfield, MO

Norton School and Gallery of Art, West Palm Beach, FL

Montgomery Museum of Art, Montgomery, Al

Huntsville Museum of Art, Huntsville, Al

Coca Cola Headquarters, Atlanta, Ga.

Hanes Corporate Headquarters, Winston-Salem, NC

Pepisco, Somers, NY

Agra Industries, Ontario, Canada

Minot State College Permanent Collection, Minot, ND

Governor of Alabama State Collection, Montgomery, Alabama

Bradley, Arant Rose and White,, Birmingham. AL

Cadillac Fairview, Atlanta, GA

IBM, Atlanta, GA

Cohn and Wolfe, Atlanta, GA

Long, Allridge, and Norman, Atlanta, GA

Children’s Retardation Center Library, University of Alabama in Birmingham, AL

South Central Bell, Birmingham, AL

McGlinchey & Staffod Law Offices, New Orleans LA

3M Atlanta, GA

Greenfield Capital Partners, Utrect, Netherlands

Delta Airlines Headquarters, Atlanta, GA

Lamar Dodd Art Center Museum, LaGrange, GA

CGR Advisors, Atlanta, GA

Governor of Alabama State Collection, Montgomery, AL

Little House Art Center, Birmingham, AL

St, Vincent’s Hospital, Birmingham, AL

Garland, Samuel, and Loeb Law Offices, Atlanta, GA

Everybody’s Restaurants, Atlanta, GA 

Hilton Hotel San Juan, Puerto Rico  

 

Selected Publications

New American Paintings, Juried Exhibitions in Print, 15 ,Years, 2009, ISSN1066-2235, Editor Steven T. Zevitas, The Open Studio Press, Wellesley MA

Spruill’s ‘Good on Paper’ packs punch, Debra Wolf, Atlanta Journal Constitution, Aug, 5,2007, Page R10

Cultivating a Patient Urgency, Atlanta Journal-Constitution: ARTS, Catherine Fox, November 2, 2003, M3

Cancer Control: Journal of the Moffitt Cancer Center, Vol8, No.3 May/June 2001

New American Paintings, #22, 1999, The Open Studio Press, Wellesley, MA, edited, Clare Bell, Assistant Curator at the Solomon R. Guggenheim Museum, New York, NY

New American Paintings, #9,1997, The Open Studios Press, Wellesley, MA, edited, James Rondeau, Assistant Curator at the Wadsworth Athenaeum, Hartford, Conn.

New American Paintings, # 3, 1995, The Open Studio Press, H.I. Glick curator, Corcoran Museum of Art, ISBN 1-883039-02-9, pp10-11

Adrienne Anderson:  Leaves and Passages:  Books as Painted Ideas, By Ted Weeks and Tom Dewy, Birmingham Museum of Art, 1981

New American Painting, # 47, 2003,The Open Studios Press, Staci Boris, Associate Curator, Museum of Contemporary Art, Chicago, ILL, Volume 8, #4, ISSN 1066 – 2235

New American Painting, #48, 2003, The Open Studios Press, Beth Venn, Independent Curator, New York, NY, Volume 8, #5, ISSN 1066-2235

New American Painting, # 52, 2004, The Open Studios Press, Carrie Przybilla, Curator of Modern and Contemporary Art, The High Museum of Art, Atlanta, GA

New American Painting, #22, 1999, The Open Studios Press, Claire  Bell Associate Curator at the Solomon R. Guggenheim Museum in New York City

Classical Myth and Imagery in Contemporary Art, Barbara, Matilsky, Curator, Queens Museum, Flushing, NY, Library of Congress Catalog Card Number:88-063398

Art Papers, Review, Adrienne Anderson, by Jerry Cullem, Sept/ Oct, 1990, ISSN-0278-1441

Birmingham Artists, 1959-1989, Jeffery J.York, Birmingham Museum of Art. Birmingham, AL, ISBN-0-931394-25-2

Southern Homes, “Straight From the Heart, The Art of Adrienne Anderson”, by Amalia Amaki,Nov-Dec, 1986, Volume 4, No. 5, ISSN-088701523

Georgia Printmakers, Judy Larson Curator and author, 1986, The High Museum of Art, Atlanta, GA, Library of Congress No, 86-80318

The New Orleans Art Review, “Adrienne Anderson”, by John H, Lawrence, Vol. VI, No. 2, Jan- Feb, 1988

The New Orleans Art Review, “Intimations of Terror”, by Stephen Bachmann, Vol. V, No. 3, March-Apri,1986

Atlanta Art Papers, Review, Adrienne Anderson, by Eric Bookhart, Summer, 1985

The New Orleans Art Review, “Paperworks by Adrienne Anderson at Tilden-Foley”, by Daniel T. Albert, May- June, 1985, Volume IV, No.2

USA Volti Del Sud, Arte Contemporanea della Carolina del Nord, della Carolina del Sud, Della Georgia, Fratelli Palombi , Editori, ISBN 88-7621-558-1

More Than Land or Sky: Art from Appalachia, 1981, Barbara Shissler Nosanow, Published for the National Museum of American Art by the Smithsonian Institution Press, Washington, DC

 

References:

Dr. Steve Steinman, Dean of Design American InterContinental University, Dunwoody, GA
404-965-5787
404- 252-3343 (home)

Roberta Griffin, Former Gallery Director of Kennesaw State University and Professor of Art
770- 971-5968